In which Sculptured, ex-Agalloch guitarist Don Anderson and Decibel’s Forrest Pitts discuss the tonal impact of Anton Webern’s Opus 21 symphony.
The post Fallow Heart: Truth in Dissonance: Don Anderson (Sculptured, ex-Agalloch) On the Objectives of Art appeared first on Decibel Magazine. …Continue Reading
Part III of III of an exhaustive look at the improbable crossover appeal of Steve Austin’s legendary noise/rock/metal institution Today Is the Day.
The post Fallow Heart: The Uncertainty Principle, A Biased Observation of Steve Austin, Part 3 appeared first on Decibel Magazine. …Continue Reading
Part II of III of of an exhaustive look at the improbable crossover appeal of Steve Austin’s legendary noise/rock/metal institution Today Is the Day.
The post Fallow Heart: The Uncertainty Principle, A Biased Observation of Steve Austin, Part 2 appeared first on Decibel Magazine. …Continue Reading
I was talking music with a co-worker of mine recently. She’s a Juilliard trained classical pianist with an extracurricular taste for light jazz, neo-soul, trip hop, (coffee shop music essentially, you’ve heard this stuff.) We chatted about the ‘Franks’ we both dig (meaning Lizt, Poulenc and—thinking we were very clever—bebop saxophonistContinue Reading